Director:
Mark S. Waters
Starring:
Lindsay Lohan
Rachel McAdams
Lacey Chabert
Amanda Seyfried
Lizzy Caplan
Daniel Franzese
Jonathan Bennett
Tina Fey
Tim Meadows
Release: 30 Apr. 04
IMDb
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Mean Girls
BY: DAVID PERRY
Coming just weeks after the repulsive teachings of 13 Going
on 30, the tonic to its Hollywood lies is Mean Girls. Written by Tina Fey,
credited as the person who’s been carrying Saturday Night Live on her back
for years, it has a wit about it that wasn’t present in Gary Winick’s
soft-hearted but artificial teen comedy. Here, the bitches don’t learn to be
nice people –- they learn to be bitches who can coexist with the nice
people. It’s not such a pleasant idea, but it’s far more accurate.
Mean Girls is one of the smartest dissections of high school put onto film,
uprooting the clichés and making them either new or, at least, fresh. The
way the screenplay deals with layout of the cafeteria, for example, plays
more like a sociological look at gentrification than cliques. Even if I
still think the Hollywood obsession with the high school social stratum is
perhaps overdone (I should recognize that my somewhat socially integrated
background may come in large part from going to a small town school), few
films have harped on it without seeming to pleasure in it. Fey likely has
some bad memories of her own high school experience, which means that she’s
acidic in her relationship with the existence of this social structure, but
her talents keep her from turning her irony into numbing hyperbole
(Heathers, Pumpkin).
Inspired by the nonfiction book Queen Bees and Wannabes: Helping Your
Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of
Adolescence, the film does have something of a adult point-of-view, which is
reflected both in its references (a character is named Janis Ian), its pangs
of parental scare tactics (a little girl’s television watching and emulation
is funny but disturbing), and its solid young lead performance by Lindsay
Lohan (who previously played an adult in Freaky Friday). Mean Girls, though
accessible to most any group, is likely best enjoyed by adults who’ve seen
and done much of what is found in this film. There’s no way that a Queen Bee
seeing this film will change her ways from watching this, but an old Queen
Bee might start to understand what she did wrong so long ago.
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