Director:
Gregory Jacobs
Starring:
Diego Luna
John C. Reilly
Maggie Gyllenhaal
Peter Mullan
Jonathan Tucker
Release: 10 Sep. 04
IMDb
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Criminal
BY: DAVID PERRY
“Which, considering the xenophobia inherent in today’s
cinema, an English-language remake seems almost inevitable; though some of
the thrill would be lost without the film’s pitch-perfect understanding of
the Buenos Aires criminal underworld.”
That was me two years ago on the Argentine film Nine Queens, a minor but
enjoyable heist film that made a small splash with art house crowds. I was,
of course, right when I predicted a remake, and again right when I worried
the loss of an idea setting. The remake, Criminal, try desperately to
recreate the magic that was in Nine Queens, but even when a seedy Buenos
Aires has been replaced by an even seedier Los Angeles, the whole film feels
falser than the scams it imparts.
This is a clear representation of what a different a setting and its tone
can do for a film. Criminal is nearly verbatim recreation of Nine Queens,
but none of the twists feels right. They just feel so contrived, so
out-of-place that none of the modest genius that came with each twist in the
original has the same impact.
Certainly, part of the blame goes on the actors, most of whom are great
performers but don’t really fit their roles. The clean-cut look of Diego
Luna is especially distracting because he never feels like a conman, and,
ultimately, you feel bad for him being drawn through the more fitting
exploits of John C. Reilly (essentially playing Philip Baker Hall’s
character in Hard Eight). No matter how much the story may remain the same,
the secondary elements fail the original. This is no better proof of the
auteur theory.
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