Top 1,000 Films (1915-Present): #1 – 500

#1-500 | #501-1,000

#1. Vertigo (Alfred Hitchcock, 1958)
#2. Pulp Fiction (Quentin Tarantino, 1994)
#3. The Four Hundred Blows (François Truffaut, 1959)
#4. The Decalogue (Krzysztof Kieslowski, 1988)
#5. The Godfather (Francis Ford Coppola, 1972)
#6. Grand Illusion (Jean Renoir, 1937)
#7. Fargo (Joel Coen, 1996)
#8. Contempt (Jean-Luc Godard, 1963)
#9. Black Narcissus (Michael Powell and Emeric Pressburger, 1947)
#10. Citizen Kane (Orson Welles, 1941)
#11. The Man with a Movie Camera (Dziga Vertov, 1929)
#12. Yi Yi (A One and a Two…) (Edward Yang, 2000)
#13. The Godfather, Part II (Francis Ford Coppola, 1974)
#14. 2001: A Space Odyssey (Stanley Kubrick, 1968)
#15. The Thin Red Line (Terrence Malick, 1998)
#16. Mulholland Dr. (David Lynch, 2001)
#17. Playtime (Jacques Tati, 1967)
#18. Elevator to the Gallows (Louis Malle, 1958)
#19. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
#20. Jules and Jim (François Truffaut, 1962)
#21. GoodFellas (Martin Scorsese, 1990)
#22. The Last Picture Show (Peter Bogdanovich, 1971)
#23. Manhattan (Woody Allen, 1979)
#24. Greed (Erich von Stroheim, 1924)
#25. Sátántangó (Béla Tarr, 1994)
#26. Network (Sidney Lumet, 1976)
#27. Marketa Lazarová (Frantisek Vlácil, 1967)
#28. Taxi Driver (Martin Scorsese, 1976)
#29. Dogville (Lars von Trier, 2003)
#30. M (Fritz Lang, 1931)
#31. Alexander Nevsky (Sergei Eisenstein, 1938)
#32. Chinatown (Roman Polanski, 1974)
#33. Sunset Blvd. (Billy Wilder, 1950)
#34. Week-End (Jean-Luc Godard, 1967)
#35. Belle de Jour (Luis Buñuel, 1967)
#36. The Bridge on the River Kwai (David Lean, 1957)
#37. The Seventh Seal (Ingmar Bergman, 1957)
#38. Wild Strawberries (Ingmar Bergman, 1957)
#39. The Bicycle Thief (Vittorio De Sica, 1948)
#40. Battleship Potemkin (Sergei Eisenstein, 1925)
#41. Lawrence of Arabia (David Lean, 1962)
#42. City Lights (Charles Chaplin, 1931)
#43. Rushmore (Wes Anderson, 1998)
#44. The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979)
#45. Nashville (Robert Altman, 1975)
#46. Raging Bull (Martin Scorsese, 1980)
#47. Au Revoir, les Enfants (Louis Malle, 1987)
#48. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1976)
#49. Persona (Ingmar Bergman, 1966)
#50. Kanal (Andrzej Wajda, 1957)
#51. Blowup (Michelangelo Antonioni, 1966)
#52. Intolerance (D.W. Griffith, 1916)
#53. Werckmeister Harmonies (Béla Tarr, 2000)
#54. Napoléon (Abel Gance, 1927)
#55. Certified Copy (Abbas Kiarostami, 2010)
#56. Doctor Zhivago (David Lean, 1965)
#57. The Shining (Stanley Kubrick, 1980)
#58. The Cranes Are Flying (Mikhail Kalatozov, 1957)
#59. O Lucky Man! (Lindsay Anderson, 1973)
#60. if…. (Lindsay Anderson, 1968)
#61. 12 Angry Men (Sidney Lumet, 1957)
#62. The Conformist (Bernardo Bertolucci, 1970)
#63. The Searchers (John Ford, 1956)
#64. Solaris (Andrei Tarkovsky, 1972)
#65. L.A. Confidential (Curtis Hanson, 1997)
#66. The Wind (Victor Sjöström, 1928)
#67. Long Day’s Journey Into Night (Sidney Lumet, 1962)
#68. Umberto D. (Vittorio De Sica, 1952)
#69. Boogie Nights (Paul Thomas Anderson, 1997)
#70. Repulsion (Roman Polanski, 1965)
#71. Touch of Evil (Orson Welles, 1958)
#72. Amadeus (Milos Forman, 1984)
#73. Annie Hall (Woody Allen, 1977)
#74. Dead Ringers (David Cronenberg, 1988)
#75. Bonnie and Clyde (Arthur Penn, 1967)
#76. Angels in America (Mike Nichols, 2003)
#77. The Insider (Michael Mann, 1999)
#78. The Conversation (Francis Ford Coppola, 1974)
#79. Wages of Fear (Henri-Georges Clouzot, 1953)
#80. Cries and Whispers (Ingmar Bergman, 1972)
#81. Brokeback Mountain (Ang Lee, 2005)
#82. The Talented Mr. Ripley (Anthony Minghella, 1999)
#83. Breaking the Waves (Lars von Trier, 1996)
#84. The Graduate (Mike Nichols, 1967)
#85. They Shoot Horses, Don’t They? (Sydney Pollack, 1969)
#86. L’Avventura (Michelangelo Antonioni, 1960)
#87. (Federico Fellini, 1963)
#88. Man of Marble (Andrzej Wajda, 1976)
#89. The White Ribbon (Michael Haneke, 2009)
#90. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)
#91. The Grapes of Wrath (John Ford, 1940)
#92. Schindler’s List (Steven Spielberg, 1993)
#93. Red (Krzysztof Kieslowski, 1994)
#94. Day for Night (François Truffaut, 1973)
#95. The Good, the Bad, and the Ugly (Sergio Leone, 1966)
#96. The Double Life of Veronique (Krzysztof Kieslowski, 1991)
#97. One Flew Over the Cuckoo’s Nest (Milos Forman, 1975)
#98. Blue (Krzysztof Kieslowski, 1993)
#99. Eyes Wide Shut (Stanley Kubrick, 1999)
#100. All Quiet on the Western Front (Lewis Milestone, 1930)
#101. A Streetcar Named Desire (Elia Kazan, 1951)
#102. The Deer Hunter (Michael Cimino, 1978)
#103. On the Waterfront (Elia Kazan, 1954)
#104. Bringing Up Baby (Howard Hawks, 1938)
#105. Seven Samurai (Akira Kurosawa, 1954)
#106. I ♥ Huckabees (David O. Russell, 2004)
#107. Psycho (Alfred Hitchcock, 1960)
#108. The Red and the White (Miklós Jancsó, 1967)
#109. E.T.: The Extra-Terrestrial (Steven Spielberg, 1982)
#110. Fanny & Alexander (Ingmar Bergman, 1982)
#111. A Clockwork Orange (Stanley Kubrick, 1971)
#112. Zodiac (David Fincher, 2007)
#113. Beauty and the Beast (Jean Cocteau, 1946)
#114. Atlantic City (Louis Malle, 1981)
#115. Double Indemnity (Billy Wilder, 1944)
#116. Apocalypse Now (Francis Ford Coppola, 1979)
#117. Dog Day Afternoon (Sidney Lumet, 1975)
#118. The Manchurian Candidate (John Frankenheimer, 1962)
#119. Rear Window (Alfred Hitchcock, 1954)
#120. Glengarry Glen Ross (James Foley, 1992)
#121. The Big Parade (King Vidor, 1925)
#122. Children of Paradise (Marcel Carné, 1945)
#123. Anatomy of a Murder (Otto Preminger, 1959)
#124. North by Northwest (Alfred Hitchcock, 1959)
#125. United 93 (Paul Greengrass, 2006)
#126. Red River (Howard Hawks, 1948)
#127. Duck Soup (Leo McCarey, 1933)
#128. Casablanca (Michael Curtiz, 1942)
#129. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
#130. The Philadelphia Story (George Cukor, 1940)
#131. The Cabinet of Dr. Caligari (Robert Wiene, 1919)
#132. The Exorcist (William Friedkin, 1973)
#133. All the President’s Men (Alan J. Pakula, 1976)
#134. Z (Costa-Gavras, 1969)
#135. The Wild Bunch (Sam Peckinpah, 1969)
#136. Stalag 17 (Billy Wilder, 1953)
#137. Rebel Without a Cause (Nicholas Ray, 1955)
#138. The Apartment (Billy Wilder, 1960)
#139. Ordinary People (Robert Redford, 1980)
#140. Late Spring (Yasujiro Ozu, 1949)
#141. American Beauty (Sam Mendes, 1999)
#142. All About Eve (Joseph L. Mankiewicz, 1950)
#143. Notorious (Alfred Hitchcock, 1946)
#144. Paths of Glory (Stanley Kubrick, 1957)
#145. Sunrise (F.W. Murnau, 1927)
#146. The Big Sleep (Howard Hawks, 1946)
#147. The Crying Game (Neil Jordan, 1992)
#148. The General (Clyde Bruckman and Buster Keaton, 1927)
#149. From Here to Eternity (Fred Zinnemann, 1953)
#150. Eureka (Shinji Aoyama, 2000)
#151. The Asphalt Jungle (John Huston, 1950)
#152. The Crowd (King Vidor, 1928)
#153. Diabolique (Henri-Georges Clouzot, 1954)
#154. Dinner at Eight (George Cukor, 1933)
#155. The Rules of the Game (Jean Renoir, 1939)
#156. Nostalghia (Andrei Tarkovsky, 1983)
#157. The Killing of a Chinese Bookie (John Cassavetes, 1976)
#158. Pather Panchali (Satyajit Ray, 1955)
#159. Do the Right Thing (Spike Lee, 1989)
#160. Sweet Smell of Success (Alexander Mackendrick, 1957)
#161. The Mother and the Whore (Jean Eustache, 1973)
#162. Secrets & Lies (Mike Leigh, 1996)
#163. Rashomon (Akira Kurosawa, 1950)
#164. The Earrings of Madame de… (Max Ophüls, 1953)
#165. The Passenger (Michelangelo Antonioni, 1975)
#166. Andrei Rublev (Andrei Tarkovsky, 1966)
#167. Hiroshima, Mon Amour (Alain Resnais, 1959)
#168. Y Tu Mamá También (Alfonso Cuarón, 2001)
#169. Blue Velvet (David Lynch, 1986)
#170. Histoire(s) du Cinéma (Jean-Luc Godard, 1998)
#171. Days of Heaven (Terrence Malick, 1978)
#172. Claire’s Knee (Eric Rohmer, 1969)
#173. Breathless (Jean-Luc Godard, 1960)
#174. Tokyo Story (Yasujiro Ozu, 1953)
#175. Magnolia (Paul Thomas Anderson, 1999)
#176. Ox-Bow Incident (William A. Wellman, 1943)
#177. The Celebration (Thomas Vinterberg, 1998)
#178. Sullivan’s Travels (Preston Sturges, 1941)
#179. The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
#180. The Third Man (Carol Reed, 1949)
#181. The Sweet Hereafter (Atom Egoyan, 1997)
#182. Pépé le Moko (Julien Duvivier, 1937)
#183. The Great Escape (John Sturges, 1963)
#184. Children of Men (Alfonso Cuarón, 2006)
#185. Olympia (Leni Riefenstahl, 1938)
#186. Wings of Desire (Wim Wenders, 1987)
#187. Metropolis (Fritz Lang, 1927)
#188. A Separation (Asghar Farhadi, 2011)
#189. The Turin Horse (Béla Tarr, 2012)
#190. When a Woman Ascends the Stairs (Mikio Naruse, 1960)
#191. The African Queen (John Huston, 1951)
#192. The Postman Always Rings Twice (Tay Garnett, 1946)
#193. My Life to Live (Jean-Luc Godard, 1962)
#194. The Exterminating Angel (Luis Buñuel, 1962)
#195. The Last Laugh (F.W. Murnau, 1924)
#196. Throne of Blood (Akira Kurosawa, 1957)
#197. Gravity (Alfonso Cuarón, 2013)
#198. M. Hulot’s Holiday (Jacques Tati, 1953)
#199. The Blue Angel (Josef von Sternberg, 1930)
#200. The Godfather: The Complete Epic, 1901-1959 (Francis Ford Coppola, 1981)
#201. Who’s Afraid of Virginia Woolf? (Mike Nichols, 1966)
#202. The Diving Bell and the Butterfly (Julian Schnabel, 2007)
#203. Barry Lyndon (Stanley Kubrick, 1975)
#204. The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
#205. The Great Dictator (Charles Chaplin, 1940)
#206. The Usual Suspects (Bryan Singer, 1995)
#207. The Loneliness of the Long Distance Runner (Tony Richardson, 1962)
#208. His Girl Friday (Howard Hawks, 1940)
#209. A Man Escaped (Robert Bresson, 1956)
#210. Blue Is the Warmest Color (Abdellatif Kechiche, 2013)
#211. The Magnificent Ambersons (Orson Welles, 1942)
#212. Das Boot (Wolfgang Petersen, 1981)
#213. Au Hasard Balthazar (Robert Bresson, 1966)
#214. That Obscure Object of Desire (Luis Buñuel, 1977)
#215. Forbidden Games (René Clément, 1952)
#216. Jackie Brown (Quentin Tarantino, 1997)
#217. The New World (Terrence Malick, 2005)
#218. The Blood of a Poet (Jean Cocteau, 1930)
#219. The Pianist (Roman Polanski, 2002)
#220. Shane (George Stevens, 1953)
#221. Woman of the Dunes (Hiroshi Teshigahara, 1964)
#222. Cabaret (Bob Fosse, 1972)
#223. Drive (Nicolas Winding Refn, 2011)
#224. Irréversible (Gaspar Noé, 2002)
#225. Russian Ark (Aleksandr Sokurov, 2002)
#226. A Matter of Life and Death (Michael Powell and Emeric Pressburger, 1946)
#227. La Bête Humaine (Jean Renoir, 1938)
#228. The Heiress (William Wyler, 1949)
#229. America, America (Elia Kazan, 1963)
#230. Harakiri (Masaki Kobayashi, 1962)
#231. La Dolce Vita (Federico Fellini, 1960)
#232. À Nos Amours (Maurice Pialat, 1983)
#233. Elephant (Gus Van Sant, 2003)
#234. Knife in the Water (Roman Polanski, 1962)
#235. Giant (George Stevens, 1956)
#236. The Wolf of Wall Street (Martin Scorsese, 2013)
#237. The Gold Rush (Charles Chaplin, 1925)
#238. Naked (Mike Leigh, 1993)
#239. Pickpocket (Robert Bresson, 1959)
#240. Il Posto (Ermanno Olmi, 1961)
#241. The Piano (Jane Campion, 1992)
#242. The Ice Storm (Ang Lee, 1997)
#243. The Grand Budapest Hotel (Wes Anderson, 2014)
#244. House of Pleasures (Bertrand Bonello, 2011)
#245. Ikiru (Akira Kurosawa, 1952)
#246. Mouchette (Robert Bresson, 1967)
#247. Autumn Sonata (Ingmar Bergman, 1978)
#248. Casino (Martin Scorsese, 1995)
#249. Poison (Todd Haynes, 1991)
#250. Ivan the Terrible, Part I (Sergei Eisenstein, 1944)
#251. Last Tango in Paris (Bernardo Bertolucci, 1972)
#252. Se7en (David Fincher, 1995)
#253. Frances Ha (Noah Baumbach, 2013)
#254. Her (Spike Jonze, 2013)
#255. Kings and Queen (Arnaud Desplechin, 2004)
#256. Cold Water (Olivier Assayas, 1994)
#257. Le Trou (Jacques Becker, 1960)
#258. Shoot the Piano Player (François Truffaut, 1960)
#259. Point Blank (John Boorman, 1967)
#260. The Death of Mr. Lazarescu (Cristi Puiu, 2005)
#261. Unknown Pleasures (Jia Zhang-ke, 2002)
#262. The Day of the Jackal (Fred Zinnemann, 1973)
#263. Opening Night (John Cassavetes, 1977)
#264. Limbo (John Sayles, 1999)
#265. Gimme Shelter (David and Albert Maysles, 1970)
#266. Shame (Ingmar Bergman, 1968)
#267. Mean Streets (Martin Scorsese, 1973)
#268. Ran (Akira Kurosawa, 1985)
#269. The Tin Drum (Volker Schlöndorff, 1979)
#270. Body and Soul (Robert Rossen, 1947)
#271. Laura (Otto Preminger, 1944)
#272. Sleeper (Woody Allen, 1973)
#273. Julia (Fred Zinnemann, 1977)
#274. Culloden (Peter Watkins, 1964)
#275. Koyaanisqatsi (Godfrey Reggio, 1982)
#276. The Treasure of the Sierra Madre (John Huston, 1948)
#277. The Man Who Knew Too Much (Alfred Hitchcock, 1956)
#278. Mon Oncle (Jacques Tati, 1958)
#279. Peeping Tom (Michael Powell, 1960)
#280. Once Upon a Time in the West (Sergio Leone, 1968)
#281. Pierrot le Fou (Jean-Luc Godard, 1965)
#282. Klute (Alan J. Pakula, 1971)
#283. The Last Temptation of Christ (Martin Scorsese, 1988)
#284. Toy Story 2 (John Lasseter, 1999)
#285. The Royal Tenenbaums (Wes Anderson, 2001)
#286. Wonder Boys (Curtis Hanson, 2000)
#287. Beau Travail (Claire Denis, 1999)
#288. Trainspotting (Danny Boyle, 1996)
#289. Toy Story 3 (Lee Unkrich, 2010)
#290. The Wrestler (Darren Aronofsky, 2008)
#291. Scenes from a Marriage (Ingmar Bergman, 1973)
#292. The Elephant Man (David Lynch, 1980)
#293. Yojimbo (Akira Kurosawa, 1961)
#294. The French Connection (William Friedkin, 1971)
#295. The Magnificent Seven (John Sturges, 1960)
#296. The Innocents (Jack Clayton, 1961)
#297. An American in Paris (Vincente Minnelli, 1951)
#298. They Were Expendable (John Ford, 1945)
#299. The Vanishing (George Sluizer, 1988)
#300. Requiem for a Dream (Darren Aronofsky, 2000)
#301. Carol (Todd Haynes, 2015)
#302. Sherlock, Jr. (Buster Keaton, 1924)
#303. Raiders of the Lost Ark (Steven Spielberg, 1981)
#304. Election (Alexander Payne, 1999)
#305. Atonement (Joe Wright, 2007)
#306. Where the Wild Things Are (Spike Jonze, 2009)
#307. Some Like it Hot (Billy Wilder, 1959)
#308. sex, lies and videotape (Steven Soderbergh, 1989)
#309. The Truman Show (Peter Weir, 1998)
#310. Summer Hours (Olivier Assayas, 2008)
#311. 12:08 East of Bucharest (Corneliu Porumboiu, 2006)
#312. There Will Be Blood (Paul Thomas Anderson, 2007)
#313. Tristana (Luis Buñuel, 1970)
#314. Ivan the Terrible, Part II (Sergei Eisenstein, 1958)
#315. The Good Earth (Sidney Franklin, 1937)
#316. The Phantom of Liberty (Luis Buñuel, 1974)
#317. White (Krzysztof Kieslowski, 1994)
#318. The Tragedy of Macbeth (Roman Polanski, 1971)
#319. The Gunfighter (Henry King, 1950)
#320. Hud (Martin Ritt, 1963)
#321. Through a Glass Darkly (Ingmar Bergman, 1961)
#322. Lenny (Bob Fosse, 1974)
#323. The Power of Nightmares (Adam Curtis, 2005)
#324. Picnic at Hanging Rock (Peter Weir, 1975)
#325. Adaptation. (Spike Jonze, 2002)
#326. The Silence (Ingmar Bergman, 1963)
#327. The Trial (Orson Welles, 1962)
#328. The Five Obstructions (Lars von Trier, 2004)
#329. Witness for the Prosecution (Billy Wilder, 1957)
#330. The 39 Steps (Alfred Hitchcock, 1935)
#331. Triumph of the Will (Leni Riefenstahl, 1935)
#332. The Battle of Algiers (Gillo Pontecorvo, 1966)
#333. The Silence of the Lambs (Jonathan Demme, 1991)
#334. Midnight Cowboy (John Schlesinger, 1969)
#335. The English Patient (Anthony Minghella, 1996)
#336. Kes (Ken Loach, 1969)
#337. Quiz Show (Robert Redford, 1994)
#338. Jurassic Park (Steven Spielberg, 1993)
#339. The Killing (Stanley Kubrick, 1956)
#340. Traffic (Steven Soderbergh, 2000)
#341. Freaks (Tod Browning, 1932)
#342. Zero for Conduct (Jean Vigo, 1933)
#343. Dancer in the Dark (Lars von Trier, 2000)
#344. Far from Heaven (Todd Haynes, 2002)
#345. Adam’s Rib (George Cukor, 1949)
#346. Birth of a Nation (D.W. Griffith, 1915)
#347. Hamlet (Laurence Olivier, 1948)
#348. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)
#349. Rififi (Jules Dassin, 1955)
#350. The Killers (Robert Siodmak, 1946)
#351. Pan’s Labyrinth (Guillermo Del Toro, 2006)
#352. Summer Interlude (Ingmar Bergman, 1951)
#353. Martha Marcy May Marlene (Sean Durkin, 2011)
#354. Unforgiven (Clint Eastwood, 1992)
#355. Murder on the Orient Express (Sidney Lumet, 1974)
#356. A Man for All Seasons (Fred Zinnemann, 1966)
#357. Blind Chance (Krzysztof Kieslowski, 1987)
#358. After Hours (Martin Scorsese, 1985)
#359. Brief Encounter (David Lean, 1945)
#360. High Noon (Fred Zinnemann, 1952)
#361. Deliverance (John Boorman, 1972)
#362. The Squid and the Whale (Noah Baumbach, 2005)
#363. Caché (Michael Haneke, 2005)
#364. I Am Cuba (Mikhail Kalatozov, 1964)
#365. The Maltese Falcon (John Huston, 1941)
#366. Kill Bill: Vol. 2 (Quentin Tarantino, 2004)
#367. Mommy (Xavier Dolan, 2014)
#368. Richard III (Laurence Olivier, 1955)
#369. Gallipoli (Peter Weir, 1981)
#370. Being John Malkovich (Spike Jonze, 1999)
#371. In Which We Serve (David Lean and Noel Coward, 1942)
#372. In Cold Blood (Richard Brooks, 1967)
#373. Winter Light (Ingmar Bergman, 1962)
#374. The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938)
#375. Strangers on a Train (Alfred Hitchcock, 1951)
#376. Jaws (Steven Spielberg, 1975)
#377. Le Proces de Jeanne d’Arc (Robert Bresson, 1962)
#378. Summertime (David Lean, 1955)
#379. To Have and Have Not (Howard Hawks, 1944)
#380. Branded to Kill (Seijun Suzuki, 1967)
#381. Paper Moon (Peter Bogdanovich, 1973)
#382. 4 Little Girls (Spike Lee, 1997)
#383. Sid & Nancy (Alex Cox, 1986)
#384. It Happened One Night (Frank Capra, 1934)
#385. Little Big Man (Arthur Penn, 1970)
#386. Fireworks (Takeshi Kitano, 1997)
#387. Gods and Monsters (Bill Condon, 1998)
#388. The Road (John Hillcoat, 2009)
#389. Gertrud (Carl Theodor Dreyer, 1964)
#390. Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952)
#391. East of Eden (Elia Kazan, 1955)
#392. Great Expectations (David Lean, 1946)
#393. Safety Last! (Fred C. Newmeyer and Sam Taylor, 1923)
#394. A Star Is Born (George Cukor, 1954)
#395. Rosemary’s Baby (Roman Polanski, 1968)
#396. Smiles of a Summer Night (Ingmar Bergman, 1955)
#397. Lolita (Stanley Kubrick, 1962)
#398. Brazil (Terry Gilliam, 1985)
#399. Interiors (Woody Allen, 1978)
#400. Bound (Larry and Andy Wachowski, 1996)
#401. The Virgin Suicides (Sofia Coppola, 2000)
#402. Pandora’s Box (G.W. Pabst, 1929)
#403. Shadow of a Doubt (Alfred Hitchcock, 1943)
#404. Young Törless (Volker Schlöndorff, 1966)
#405. The Pawnbroker (Sidney Lumet, 1964)
#406. Young Frankenstein (Mel Brooks, 1974)
#407. Hamlet (Kenneth Branagh, 1996)
#408. Songs from the Second Floor (Roy Andersson, 2000)
#409. Ossessione (Luchino Visconti, 1943)
#410. West Side Story (Robert Wise and Jerome Robbins, 1961)
#411. Woman of the Year (George Stevens, 1942)
#412. The Garden of the Finzi-Continis (Vittorio De Sica, 1970)
#413. Toy Story (John Lasseter, 1995)
#414. Superbad (Greg Mottola, 2007)
#415. Mr. Smith Goes to Washington (Frank Capra, 1939)
#416. Of Mice and Men (Lewis Milestone, 1939)
#417. Love and Death (Woody Allen, 1975)
#418. A Single Man (Tom Ford, 2009)
#419. Grand Hotel (Edmund Goulding, 1932)
#420. Nixon (Oliver Stone, 1995)
#421. Platoon (Oliver Stone, 1986)
#422. How Green Was My Valley (John Ford, 1941)
#423. The Defiant Ones (Stanley Kramer, 1958)
#424. Gone with the Wind (Victor Fleming, 1939)
#425. Steamboat Bill, Jr. (Charles F. Riesner, 1928)
#426. Mirage (Edward Dmytryk, 1965)
#427. The Naked Kiss (Samuel Fuller, 1964)
#428. Faces (John Cassavetes, 1968)
#429. Miss Julie (Alf Sjöberg, 1951)
#430. Glory (Edward Zwick, 1989)
#431. Reservoir Dogs (Quentin Tarantino, 1992)
#432. Broadway Danny Rose (Woody Allen, 1984)
#433. The Man Who Shot Liberty Valance (John Ford, 1962)
#434. The Picture of Dorian Gray (Albert Lewin, 1945)
#435. Mother (Vsevolod Pudovkin, 1926)
#436. Li’l Quinquin (Bruno Dumont, 2014)
#437. The Hateful Eight (Quentin Tarantino, 2015)
#438. The China Syndrome (James Bridges, 1979)
#439. Judgment at Nuremberg (Stanley Kramer, 1961)
#440. Fail-Safe (Sidney Lumet, 1964)
#441. To Kill a Mockingbird (Robert Mulligan, 1962)
#442. The Guns of Navarone (J. Lee Thompson, 1961)
#443. Kill Bill: Vol. 1 (Quentin Tarantino, 2003)
#444. No Country for Old Men (Joel and Ethan Coen, 2007)
#445. Rebecca (Alfred Hitchcock, 1940)
#446. The Day of the Locust (John Schlesinger, 1975)
#447. The Social Network (David Fincher, 2010)
#448. Hunger (Steve McQueen, 2008)
#449. Blood Simple (Joel Coen, 1984)
#450. Lifeboat (Alfred Hitchcock, 1944)
#451. The Informer (John Ford, 1935)
#452. A Shot in the Dark (Blake Edwards, 1964)
#453. Born on the Fourth of July (Oliver Stone, 1989)
#454. Amores Perros (Alejandro González Iñárritu, 2001)
#455. Queen Christina (Rouben Mamoulian, 1933)
#456. Dead Man Walking (Tim Robbins, 1995)
#457. Elizabeth (Shekhar Kapur, 1998)
#458. Reds (Warren Beatty, 1981)
#459. Mamma Roma (Pier Paolo Pasolini, 1962)
#460. Marat/Sade: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum at Charenton Under the Direction of the Marquis de Sade (Peter Brook, 1967)
#461. My Winnipeg (Guy Maddin, 2008)
#462. Bloody Sunday (Paul Greengrass, 2002)
#463. Bambi (David Hand, 1942)
#464. The Awful Truth (Leo McCarey, 1937)
#465. JFK (Oliver Stone, 1991)
#466. Beauty and the Beast (Gary Trousdale and Kirk Wise, 1991)
#467. Swing Time (George Stevens, 1936)
#468. City of God (Fernando Meirellas and Kátia Lund, 2002)
#469. Good Night, and Good Luck. (George Clooney, 2005)
#470. A History of Violence (David Cronenberg, 2005)
#471. Bride of Frankenstein (James Whale, 1935)
#472. On the Beach (Stanley Kramer, 1959)
#473. Hero (Zhang Yimou, 2004)
#474. The Invisible Man (James Whale, 1933)
#475. Snow White and the Seven Dwarfs (David Hand, 1937)
#476. The Best of Youth (Marco Tullio Giordana, 2005)
#477. Heat (Michael Mann, 1995)
#478. 25th Hour (Spike Lee, 2002)
#479. McCabe & Mrs. Miller (Robert Altman, 1971)
#480. Le Samouraï (Jean-Pierre Melville, 1967)
#481. Aguirre: The Wrath of God (Werner Herzog, 1972)
#482. Ashes and Diamonds (Andrzej Wajda, 1958)
#483. Distant Voices, Still Lives (Terence Davies, 1988)
#484. Mon Oncle d’Amerique (Alain Resnais, 1980)
#485. Two Days, One Night (Jean-Pierre and Luc Dardenne, 2014)
#486. All About My Mother (Pedro Almodóvar, 1999)
#487. Tropical Malady (Apichatpong Weerasethakul, 2004)
#488. The Lady from Shanghai (Orson Welles, 1947)
#489. Celine and Julie Go Boating (Jacques Rivette, 1974)
#490. Modern Times (Charles Chaplin, 1936)
#491. The Navigator (Buster Keaton and Donald Crisp, 1924)
#492. Nosferatu: Phantom der Nacht (F.W. Murnau, 1922)
#493. Orpheus (Jean Cocteau, 1950)
#494. Safe (Todd Haynes, 1995)
#495. Sorcerer (William Friedkin, 1977)
#496. The Long Good Friday (John MacKenzie, 1980)
#497. Irma Vep (Olivier Assayas, 1996)
#498. Days of Being Wild (Wong Kar-wai, 1990)
#499. Small Change (François Truffaut, 1976)
#500. South Park: Bigger, Longer & Uncut (Trey Parker, 1999)

#1-500 | #501-1,000